I really don’t fuck with this shit at all. She just sang a little bit on the intro and the bridge. Liz Suwandi’s presence is pretty unnecessary too. He just sounds bitter because his ex don’t fuck with him no more. The beat is just not very good and it just feels a little corny. I’m not feelin’ this hook at all. I think Tech does Hip Hop & Rock crossovers better than anyone else, but I still don’t really like it. Liz Suwandi is singin’ about bein’ a fool and lovin’ me or some shit like that. I don’t know if I’m gonna like this one… Tyler Lyon was on my least favorite Strangeulation song. I coulda did without the hook and the Red Café verse and the beat coulda been a little better, but it ain’t a bad song. If you don’t know what I’m talking about, Trae The Truth’s voice is so fucking low that he sounds like he’s whispering all the time. I actually thought that he whispered on every song and that was just his style. The first time I heard him rap I thought he was whispering. He can actually rap and he killed this verse. Trae The Truth is a really under appreciated artist too. I think it might be lame, but that’s why I like it. “Anything turn up: we wit it.” I don’t know if that’s lame as hell or just really dope. Big Scoob, Red Café & Trae The Truth (Prod. That makes no sense, but when he sings it makes me think of an amalgam of dirt, rocks & cough syrup. It sounds like a rock covered in cough syrup. What the fuck is wrong with his voice? Have y’all ever heard this guy speak in interviews? His voice cracks like every other word. Future can go fuck himself for all I care. T-Pain is really like a fucking genius compared to Future. I don’t think I realized how much he did until Future blew up. T-Pain is a really under appreciated artist. “Man, it must suck to be you niggas / Cause it don’t suck to be this rich / If you not fuckin’ with me, brethren / You can suck upon this dick.” That’s how you sound angry without bein’ bitter. I guess I’m part of that whole group… “OG Muggs said I’m gonna be the first rapper to cross over to black folk.” His first verse was dope. He’s basically talkin’ about how black people are finally starting to accept his music and style. He just sounds… BADASS! This beat is dope af and his flow is great. This little intro where Tech is singing is actually dope af. The hook is really just fucking horrible. That intro with the kids doin’ the pledge was kinda corny to me too. This would honestly be dope af without the hook. I mean, it’s not… well, actually it is really bad. This hook is just fucking horrible to me. His voice just sounds so… bad and the way he’s singing is just so… bad. I do not like the way he sounds on this at all. I don’t know how Serj is gonna sound on this. I used to like System Of A Down when I was going through this really weird phase, but I really don’t like the crossover songs that Tech does with Rock music. Why are his skits always so weird? I like this one, but seriously. Towards the end it changes to a fire alarm at a school going off, then a class starts and the teacher’s like, “rise for the morning pledge.” This is weird as hell. I feel like I’m listening to a scene from weird movie. For some reason I really really like this skit. The background music makes it sound really suspenseful. This is weird ass skit… Mark Alford is just talkin’ about how a meteorite landed in Kansas City… It’s kinda creepy. I don’t really remember exactly what I thought of it, but I do know that Tech N9ne became one of my favorite rappers after I heard this album, so I’m expecting this to be pretty dope.
Tech n9ne songs that arent on albums full#
It was the first full Tech N9ne album I ever listened to. This is the first review that I’ve ever done for an album that I’ve already heard. I didn’t expect to be doin’ this, but I decided that I would after reviewing Special Effects. For future marathons I’ll be reviewing them in order of release. For those of you who don’t know what that means, I’ll be reviewing every album Tech N9ne has released. I guess I should go ahead and make this official.